首先:
1,WEBOS的稳定性远超安卓,安卓那垃圾系统是配合国内互联网企业收割韭菜用的,国内的电视安卓版本和国外的还不一样,开源免费无需法律监管。webos的前身是palmos,这个懂的自然懂,IT专业的都清楚。LG的自带应用都搓搓有余了。
2,成熟市场来说,比如欧洲和美国的家用,及一些后期工作室的低阶后期制作来说,LG已经成为标配了,当然高阶监视器仍然需要SONY 的BVM,杜比,弗兰德斯等,这也从侧面说明了LG电视的实力。无需拿各种网站的评测说事了吧,太多了。
下图是杜比作为范例的美国东海岸第一家唯一能同时处理ATMOS和DOLBY VISION后期制作的公司监视设备现场图
用户意见:
如果你不舍得一台奥迪A6的钱买一台杜比监视器,那么LG的C7电视也不错。
Before diving into the making SDR trims using the Dolby Vision trim controls let’s address the topic of HDR client monitoring.
After we published part 1 of this series, I got quite a few emails (remember, you can use the comments too!) about how exactly I had the consumer LG OLEDs connected in my suite. As I mentioned in part 1, normally I don’t have two client displays, but for the purpose of the demo we did with Dolby I had two – one showing the SDR mapped output of the CMU (matching my SDR reference monitor) and one showing the PQ HDR signal. Day to day, I skip the SDR client monitor and use just one 65′ LG C7 as the client monitor so clients can preview HDR grades.
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